In its purist form, drawing is marking down the junctions of observed lines. The Ecology Movement does the same thing - joining up the dots of our under-strain, but interlinked environment to create forceful arguments, writes Ecologist Arts Editor, GARY COOK
The curator of the new Force of Nature exhibition in London's Art Pavilion tells our Arts Editor, GARY COOK, that from the beginning of human history, and in every culture, nature has played a vital role in creative expression
Lesley Hilling is a core member of Human Nature - a group of 30 like-minded artists aiming to change the way people think and act about the natural environment through their work. GARY COOK visits her London home and studio to learn more
The Green Party's new 'Green Creates' exhibition runs from 19 to 24 October at Hoxton Arches, London showcasing the work of the likes of Ralph Steadman, Grayson Perry, Gavin Turk, Andy Goldsworthy, Lesley Hilling and Craig Jones. Their donated pieces on the theme of 'Green Voices' will be auctioned to raise funds for the party. GARY COOK takes a preview
Marmite. Barry Manilow, Nigel Farage and wind turbines. People either love them or hate them with rarely anyone on the fence. But Deon Reynolds' atmospheric turbine photographs might just buck that trend and persuade even rabid climate deniers to acknowledge their beauty, writes
The first white people to encounter the Grand Canyon saw nothing but a gigantic obstruction, writes Stephen Pyne, devoid of any charm, beauty or value. That it is today an icon of American landscape, a 'natural wonder' known and revered around the world, creates hope for the long term preservation of the Grand Canyon itself, the wider National Park network, and wilderness everywhere.
French photographer and environmental activist, Yann Arthus Bertrand, author of 'The Earth from the Air', sets out his hopes and fears for the future in this interview with Tadzio Mac Gregor - and explains why, despite all the problems that afflict the world, he has no space for pessimism.
This intriguing new book is a bold attempt to strike a new direction for ecological art, writes Martin Spray - not to communicate environmental issues, but to create new connections with the world around us and imbue our lives with 'artfulness'.
This chronicle of over two centuries of melting Alpine and polar ice, seen through the works of contemporary artists, is at its best both powerful and provocative, writes Martin Spray. But he wonders - is art really such an effective force for environmental protection?