As COP23 draws to a close, the environmental community turns to world leaders to provide solutions to the great challenge of our time. Arguing that civic engagement is key, ALISON TICKELL from Julie’s Bicycle reflects on the vital role that the arts sector can play in shaping the culture around climate change
In the year 2067, the eating of meat - carnism - will be seen as crime similar to cannibalism today, writes Matthew Adams. That is, in the fertile imagination of Simon Amstell, expressed in his BBC iPlayer film 'Carnage'. With 55 billion animals slaughtered every year for their meat, the vision looks remote. But the world will be a far better place if we begin the transition to plant-based diets - for our health, that of the planet, and not least, the animals themselves.
With Trump denying climate change and threatening to reject the Paris Agreement, it's more important than ever for society to hold a firm ethical line, writes Chris Garrard. The last thing we need is our most revered museums and galleries muddying the water by courting the sponsorship of leading climate criminals.
After decades of travelling the globe documenting environmental issues, UK photographer Edward Parker has turned his lens closer to home with a new book on the Ancient Trees of the National Trust. He talks to Arts Editor, GARY COOK
The latest blockbuster exhibition from the V&A celebrates the music of its time and those who are forever linked to it, and one of the key outcomes of this counter-culture revolution was the very first Earth Day on April 22nd 1970.
Wildlife artist Rachel Lockwood is in creative lockdown preparing for her new exhibition called Wilding. Ecologist Arts Editor, GARY COOK went to her North Norfolk studio to talk paint, animals and other environmental matters
Kurt Jackson's artworks of reflected, captured light show his obvious love for the wild ecology of the UK's favourite coastline and have made him one of the country's most respected art activists. Arts Editor GARY COOK learns more.
Celebrities have a unique ability to engage people in environmental campaigns, writes Pat Thomas. Neil Young is a case in point: his latest album, The Monsanto Years, conveys an eloquent message of the dangers of GMOs and corporate power, and his upcoming European tour offers green campaigners a unique opportunity to engage a broader public in the fight for a green future.
For most of 2015 Walter Lewis travelled around England and Wales meeting and photographing people producing food outside the confines of mainstream agriculture - working out of a passion for the earth and the Earth rather than for commercial gain. He completed his exploration inspired, and determined to spread word of quiet revolution under way across the fields of Britain.
Tate and now the Edinburgh International Festival have dropped BP sponsorship, writes Chris Garrard, with BP citing unspecified 'challenging conditions'. As indigenous campaigners accuse BP of 'sponsoring death in our communities', it's high time for the British Museum to follow their lead.
Oil giant BP is the UK's single biggest EU lobbyist, spending over £2 million reaching out to European policy makers in 2014, new figures show. But citing hard times, the company has dropped its controversial sponsorship of the London's Tate Galleries - and more such branding deals may bite the dust.
Britain's 20th century architecture is in danger of obliteration, writes Sebastian Messer, with a 'new brutalism' that holds that socially deprived council estates are fit only for demolition. But these buildings are an important part of our cultural heritage, and more than that, they provide affordable housing to millions of people.
Yann Arthus-Bertrand's latest book, 'Human', revisits the territory of 'Earth from Above', but with a harder edge, writes Martin Spray. Yes, the photographs are lovely, even inspirational, but often mix uneasily with the testimonies of suffering and desperate demands for change they illustrate.
Last week BP's Peter Mather - who claims to have 'green and yellow oil' flowing in his veins - took to the airwaves on Radio 4's The Bottom Line'. Evan Davies asked some tough questions, writes Chris Garrard - but failed to mention the shocking case of Colombian trades unionist Gilberto Torres, kidnapped and tortured for 42 days by paramilitaries employed by BP's joint venture partner.
When Martin Cradick and Su Hart travelled to West Africa in 1992, little did they know the journey would set their lives on a whole new direction, writes Matthew Newsome. Inspired by the Baka people of Cameroon's rainforest and the joy that resonates through their music, they are now dedicated to saving this vulnerable people using their magical music to reach into people's hearts.
The Green Gathering is a festival with a rich history that's not afraid to encompass hedonism, writes Emma Fordham - but also goes way beyond it. A showcase of real life alternatives with a mission to have fun and change the world, it's coming back this summer - so prepare for an unforgettable experience (and £10 off the ticket price).
The Information Tribunal has ordered Tate, the charity which runs two of London's biggest art galleries, to release details of financial support from the oil company BP, writes Richard Heasman - and they have until 27th January to comply.
Traditional melodies collected from Nordic countries and filtered through MaJiKer's unique sonic imagination are raising awareness, and funds, for nature conservation. He spoke to Laurence Rose about a four-year labour of love inspired by nature and the sounds of the high North.
Pete the Temp's remarkable 'spoken word' show is challenging, inspiring, terrifying and amusing audiences across Britain, writes Sophie Morlin-Yron. But it's performance with a purpose - to engage people in a positive fight to protect the Earth from catastrophic climate change. And so far, it seems to be working ...