Tate, the leading London art gallery owner, has revealed the price of the BP logos that plaster its exhibitions: under 0.5% of its income - but only after a court order forced it to do so.
The Information Tribunal has ordered Tate, the charity which runs two of London's biggest art galleries, to release details of financial support from the oil company BP, writes Richard Heasman - and they have until 27th January to comply.
Traditional melodies collected from Nordic countries and filtered through MaJiKer's unique sonic imagination are raising awareness, and funds, for nature conservation. He spoke to Laurence Rose about a four-year labour of love inspired by nature and the sounds of the high North.
Pete the Temp's remarkable 'spoken word' show is challenging, inspiring, terrifying and amusing audiences across Britain, writes Sophie Morlin-Yron. But it's performance with a purpose - to engage people in a positive fight to protect the Earth from catastrophic climate change. And so far, it seems to be working ...
Three thousand light years is a long way from Earth - but Vali Ohm have made the journey in quick time. It's the distance between their latest album, Fragile Earth, and their previous space-rock album 3000 Light Years, a homage to the sounds of the 1970s. Vali Ohm's Danny Jackson charted the journey with Laurence Rose.
As Israel violates its own 'ceasefire' to murder yet another child in Gaza City, the poet Heathcote Williams delves into aspects of Israel, Palestine and the lethal war now under way that rarely surface in the mainstream discourse - and amid the horror, cruelty and rising tide of fascism, finds grounds for long term hope.
As composer Jonathan Dove prepares for the premiere of his 'Gaia Theory' at the BBC Proms this month, he explains to Laurence Rose how his recent work has been inspired by a wake-up call - right from the very top of the world.
Visit the British Museum's hugely successful Vikings exhibition, and you can't miss the BP branding - a fair price for their sponsorship? No way, writes Chris Garrard, who will join a 'flash-horde' at the Museum next Sunday and give BP its last rites in a Viking longship.
A new and deceptively sophisticated installation is about artists, audience and nature itself connecting in real time, writes Laurence Rose, who visited a Living Symphony in Thetford Forest.
Theatrical protest group the Reclaim Shakespeare Company has invaded the British Museum and held a surprise performance challenging BP's sponsorship of the popular Vikings exhibition.
Singer-songwriter Kristin Hoffmann reflects on the natural and divine inspiration that underlies her music, and urges us to both listen and play to rediscover the inner harmonies that are so easily obliterated by the brute cacophony of industrialism.
Swedish artist duo Diagram escorts a glass of water back to its origin - from a convenience store in Stockholm back to a storm-drain in Evian les Bains, by Lake Geneva - and expose one of the many absurdities of modern life.
BP and other fossil fuel companies love to sponsor high art to preserve their 'public licence to operate', writes Kevin Smith. But why is Tate so keen to take the relatively trivial sums on offer. And why the unbending information blackout?
In the lead-up to tonight's Earth Hour one organisation is putting the creative community on the front lines of the battle for climate change. Rebecca Cooke reports on the remarkable series of 29 posters to provoke and intrigue us into climate action.
A growing movement is opposing fossil fuel industry sponsorship of the arts. Pop-up protests and performances denouncing Shell, BP and others are winning the popular vote, writes Chris Garrard.
